Pinacoteca di Brera Informazioni


4/10/2018 > 20/01/2019

Seventh dialogue “On Ingres and Hayez. A different look at mid-19th century women”

The stars of the seventh dialogue are a masterpiece from the Pinacoteca’s own collections entitled Portrait of Teresa Manzoni Stampa Borri by Francesco Hayez and three important guest works rarely shown in public, all of which illustrate different approaches to the interpretation of naturalism.

29/03/2018 > 1/07/2018

Sixth dialogue “On Love. Camillo Boccaccino, Sacred and Profane”

From March 29th to July 1st the Pinacoteca di Brera hosts the new dialogue about Camillo Boccaccino (Cremona 1504/5-1546), Mannerist Italian painter of the Renaissance period.

8/06/2017 > 1/10/2017

Fifth Dialogue “New Perspectives on the 18th Century. Pompeo Batoni and Milan”

On the occasion of the new dialogue will be exploring the 18th century, the era that witnessed the birth of museums in general and of the Pinacoteca di Brera in particular.

30/03/2017 > 11/06/2017

Fourth Dialogue “Around Lotto”

From 30 March the Pinacoteca di Brera will be hosting a new and highly original dialogue among masterpieces in the history of art: “Around Lotto” will be showcasing paintings from the museum’s own collection in dialogue with other “guest” pictures.

10/11/2016 > 5/02/2017

Third dialogue “Caravaggio. Readings and Re-readings”

The Pinacoteca hosts the new exceptional dialogue between the museum’s most celebrated paintings, the Supper at Emmaus by the Lombard master Michelangelo Merisi, better known as Caravaggio and other “guest” works.

16/06/2016 > 25/09/2016

Andrea Mantegna: New Perspectives

Annibale Carracci’s Lamentation over the Dead Christ is coming to Brera to engage in dialogue with Andrea Mantegna’s masterpiece and also with another version of the same theme, the Lamentation over the Dead Christ, painted by Orazio Borgianni.

17/03/2016 > 26/06/2016

Perugino and Raphael, the Marriage of the Virgin. A dialogue between the master and the pupil

The Perugino’s large altarpiece alongside his pupil Raphael’s masterpiece, a unique comparison in the history of art.


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