


Photographic Library
The photographic library attached to the Pinacoteca di Brera was founded by Corrado Ricci, Camillo Boito, Giuseppe Fumagalli and Gaetano Moretti in 1899 to offer the museum a collection of artistic reproductions of works of art and monuments both in Italy and abroad as a state-of-the-art tool for study and consultation, to cater for the gallery’s scientific and research needs. The models peopling the imagination of those illustrious men and of their colleagues in charge of Italy’s art institutions in those days were the great museums of Europe and the United States, which had recently acquired such libraries. The original core of the collection was donated by collectors and scholars from all over Italy to whom the founders had launched a public appeal through the press.
The library thus attracted a considerable number of collections of photographic prints by leading amateur photographers known to scholars but other examples of whose work have not been found outside Brera, together with the surviving photographic documentation of the “Circolo Fotografico Lombardo”, the first and most important such institution in Lombardy. The Brera collection includes photographs taken using a broad variety of techniques such as salted paper, aristotypes, cyanotypes, carbon prints and albumen prints, with numerous works by such illustrious vedutisti as Alinari, Brogi, Noack, Naya, Sommer, and Anderson, and by other interesting professional masters of photography ranging from Unterveger of Trento to Incorpora of Palermo, in addition to prints of major international and historical importance by Nadar, Sacchi Frith, Bonfils, Sadic Bey and others.
The photographic library has grown over the years with both old and new documentary material generated by the Soprintendenza’s activity, by the acquisition of photographic collections and through exchange with other institutions. Its growth, however, has also gone hand in hand with an unflagging effort to maintain the library’s existing collection, almost all of which has now been restored, furnished with an inventory and conservation factsheet and stored in a protective environment using public funding.
Viewing by appointment only, from Monday to Friday.
Contacts: Isabella Marelli
isabella.marelli@cultura.gov.it | Photo Library Consultation Request


Chiesa di San Marco a Milano
Pompeo Pozzi
Il Campidoglio visto da piazza Aracoeli a Roma
Anonimo calotipista romano
Gli Ambasciatori ritornano in Inghilterra, portando il messaggio con le condizioni dettate da Orsola
Ditta Anderson
Sposalizio della Vergine, Raffaello
F.D. Sirtoli (Alinari)
Macerie dopo il crollo del campanile di San Marco a Venezia
Giovanni Jankovich
Giuseppe Nicola Summa detto “Ninco Nanco”
Anonimo (Alphonse Bernoud)
Falciatori
Ercole Balsamo
Moti del 1898 a Milano. Piazza del Duomo alla partenza dei soldati
G.B. Ganzini
Giardini d’estate a San Pietroburgo
Karl Karlovic Bulla
Monte Circeo visto dalla spiaggia di levante verso Terracina
Ottavio Giacchetti
Louis Lumière
Anonimo
Coristi, bassorilievo
Ditta Anderson
Cesare da Sesto, Studi di bimbi
Ditta Ad. Braun & C.ie
Veduta del Canal Grande a Venezia
Anonimo
Ritratto di donna velata
Anonimo
Franz Listz in abito talare
Ernst Hanfstaengl
Demolizione del monastero di S. Salvatore per la costruzione della Galleria a Milano
Deroche & Heyland
Palazzo delle Scuole Palatine in Piazza Mercanti a Milano
Pompeo Pozzi