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History

The Pinacoteca di Brera was officially established in 1809, even though a first heterogeneous collection with educational purpose existed already from 1776 – and then increased in the following years – alongside the Accademia di Belle Arti, requested by Mary Therese of Austria to offer the students the opportunity to study lofty masterpieces of art close up.

Brera become a museum to host the most important works of art from all of the areas conquered by the French armies. So unlike other important museums in Italy such as the Uffizi, Brera did not start out life as the private collection of a prince or nobleman but as the product of a deliberate policy decision.

The Palazzo Brera in an 18th-century print and the floor plan of the Pinacoteca in 1822
The Palazzo Brera in an 18th-century print and the floor plan of the Pinacoteca in 1822
Minister Nasi visits the reordered Picture Gallery. June 7, 1903
Minister Nasi visits the reordered Picture Gallery. June 7, 1903
Brera reordered: top left the rooms of the Venetian painters, below the room of Mantegna, Crivelli and Giovanni Bellini. At right the room of Lombard frescoes, June 7, 1903
Brera reordered: top left the rooms of the Venetian painters, below the room of Mantegna, Crivelli and Giovanni Bellini. At right the room of Lombard frescoes, June 7, 1903

Paintings confiscated from churches and convents throughout Lombardy with the religious orders’ dissolution began to pour into the museum in the early years of the 19th century, soon to be joined by artworks of similar provenance from other areas of the Kingdom of Italy. This explains why the collection comprises chiefly religious works, many of them large altarpieces, and accounts for Brera’s special aura on which later acquisitions have had only a minor impact.

More vintage photos of the Pinacoteca di Brera.
More vintage photos of the Pinacoteca di Brera

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