{"id":19501,"date":"2026-10-14T10:01:54","date_gmt":"2026-10-14T08:01:54","guid":{"rendered":"https:\/\/pinacotecabrera.org\/collezioni\/conservazione-e-restauro\/ritratto-di-lord-donoughmore\/"},"modified":"2026-10-23T13:02:28","modified_gmt":"2026-10-23T11:02:28","slug":"ritratto-di-lord-donoughmore","status":"publish","type":"restauro","link":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/ritratto-di-lord-donoughmore\/","title":{"rendered":"Portrait of Lord Donoughmore"},"content":{"rendered":"<section  class=\"\">\n        <div id=\"restauro-hero\">\n       \n        \n        <div class=\"alignfull padding py-6 md:py-12\">\n            <div id=\"opera-title\" class=\"alignwide\">\n              \n              <div class=\"w-full mb-6 md:mb-12\">\n                <h1 class=\"italic\">Portrait of Lord Donounghmore<\/h1>\n              <\/div>\n      \n              <div class=\"flex flex-col md:flex-row gap-12\">\n                \n                <div class=\"md:w-1\/3 hidden md:block\">\n                  <h5 class=\"uppercase mb-12\">Technical Details<\/h5>\n                  <ul class=\"flex flex-col gap-4\">\n                    <li>\n                      <h5>Title<\/h5>\n                      Portrait of Lord Donounghmore\n                    <\/li>\n                                          <li>\n                        <h5>Author<\/h5>\n                        Joshua Reynolds\n                      <\/li>\n                                                              <li>\n                        <h5>Year<\/h5>\n                        1780 &#8211; 90 \n                      <\/li>\n                                                              <li>\n                        <h5>Dimensions<\/h5>\n                        cm 127,1 x 101,3\n                      <\/li>\n                                                              <li>\n                        <h5>Inventory<\/h5>\n                        Reg. Cron. 2244\n                      <\/li>\n                                                            <li>\n                      <h5>Materials and Techniques<\/h5>\n                      Painting on canvas\n                    <\/li>\n                                        \n                                                          <\/ul>\n                <\/div>\n      \n                \n                <div class=\"md:w-2\/3 order-1 md:order-2\">\n                        \n                        \n                   \n                   <div id=\"opera-dzi-image\" class=\"mb-6 aspect-square bg-black w-full\" \n                   data-dzi=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-1-scaled.jpg\"\n                   data-width=\"2691\"\n                   data-height=\"3365\"\n                   data-images-path=\"https:\/\/pinacotecabrera.org\/wp-content\/themes\/pinacoteca-theme\/open_sea_dragon_images\/\"\n                    ><\/div>\n                      \n                                   \n      \n                  \n                  <div class=\"md:hidden\">\n                    <h5 class=\"uppercase mb-6\">Technical Details<\/h5>\n                    <ul class=\"flex flex-col gap-3\">\n                      <li>\n                        <h5>Title<\/h5>\n                        Portrait of Lord Donounghmore\n                      <\/li>\n                                              <li>\n                          <h5>Author<\/h5>\n                          Joshua Reynolds\n                        <\/li>\n                                                                    <li>\n                          <h5>Year<\/h5>\n                          1780 &#8211; 90 \n                        <\/li>\n                                                                    <li>\n                          <h5>Dimensions<\/h5>\n                          cm 127,1 x 101,3\n                        <\/li>\n                                                                    <li>\n                          <h5>Inventory<\/h5>\n                          Reg. Cron. 2244\n                        <\/li>\n                                                                                      <\/ul>\n                  <\/div>\n      \n                 \n                <\/div>\n              <\/div>\n            <\/div>\n        <\/div>\n\n    <\/div>\n    <\/section>\n\n\n<div class=\"wp-block-group alignfull padding restauro-content is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"big wp-block-paragraph\">Restoring a painting by Reynolds (fig. 1) is overall known to be a challenge, especially if no conservation treatment has been done in the last period. This painter was known to be an experimenter who used varnishes and melgips in order to obtain special pictorial effects. But using resins, wax mixed with pigments, and working \u201cwet in wet\u201d has produced many conservation problems on his paintings. Therefore the restoration has begun with a complete diagnostic campaign and interchange with colleagues of the London National Gallery who have a great experience on the author while in Italy there is almost no information about him; infact our portrait is arrived in Italy in 1933 thanks to Ettore Modigliani who wanted to buy a canvas by Reynolds which is almost absent in Italian museums.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19521\"><img decoding=\"async\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-1-1-scaled.jpg\" alt=\"the painting before and after the restoration\" class=\"wp-image-19505\"\/><figcaption class=\"wp-element-caption\">Fig. 1. The painting before and after the restoration<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">The lord depicted has long been identified as the first Lord of Donoughmore but, thanks to the last restoration, we now suggest that he is his brother, the second Earl of Donoughmore, captain of the \u201c67\u201d Regiment of Foot identified by the numbers on his coat buttons (fig. 2).&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19521\"><img loading=\"lazy\" decoding=\"async\" width=\"2384\" height=\"2560\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-2-scaled.jpg\" alt=\"Dettaglio dei bottoni\" class=\"wp-image-19493\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-2-scaled.jpg 2384w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-2-279x300.jpg 279w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-2-767x824.jpg 767w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-2-954x1024.jpg 954w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-2-1431x1536.jpg 1431w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/Ritratto-Donoughmore-Joshua-Reynolds-2-1907x2048.jpg 1907w\" sizes=\"auto, (max-width: 2384px) 100vw, 2384px\" \/><figcaption class=\"wp-element-caption\">Fig. 2. Detail of the buttons, the number is obtained by taking off part of the color with the tip of the brush handel<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Cleaning the painting has also revealed many damages, but now focus your attention on two large losses (fig. 3): one on his chin and the other right in the middle of his heart. Here the cleaning has revealed the original color covered with overwhelming retouchings (fig. 4); now we offer a new, reversible, reconstruction, recognizable by little vertical hatchings, done with varnish pigments (fig. 5). Protective varnish coatings have been applied with the aim of not obscuring the varied nature of the painted surface, thereby respecting the artist&#8217;s technique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We can state that working on a Reynolds painting has been a special professional experience of research and exchange studies, we hope that further studies will give more information to the story of this Lord \u201cwounded\u201d in the heart.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19522\"><img loading=\"lazy\" decoding=\"async\" width=\"1794\" height=\"2560\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-3.jpg\" alt=\"\" class=\"wp-image-19615\"\/><figcaption class=\"wp-element-caption\">Fig. 3. Detail or RX investigation (look at the dark losses in the chin an in the middle of the heart)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19522\"><img loading=\"lazy\" decoding=\"async\" width=\"1250\" height=\"1712\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-4-1.jpg\" alt=\"\" class=\"wp-image-19618\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-4-1.jpg 1250w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-4-1-219x300.jpg 219w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-4-1-767x1051.jpg 767w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-4-1-748x1024.jpg 748w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-4-1-1121x1536.jpg 1121w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><figcaption class=\"wp-element-caption\">Fig. 4. Detail during the cleaning<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19523\"><img loading=\"lazy\" decoding=\"async\" width=\"1856\" height=\"2560\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-5-1-scaled.jpg\" alt=\"\" class=\"wp-image-19624\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-5-1-scaled.jpg 1856w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-5-1-218x300.jpg 218w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-5-1-742x1024.jpg 742w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-5-1-768x1059.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-5-1-1114x1536.jpg 1114w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2026\/10\/reynolds-restauro-5-1-1485x2048.jpg 1485w\" sizes=\"auto, (max-width: 1856px) 100vw, 1856px\" \/><figcaption class=\"wp-element-caption\">Fig. 5. Detail after the restoration<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","class_list":["post-19501","restauro","type-restauro","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.7 (Yoast SEO v28.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Portrait of Lord Donoughmore | Pinacoteca di Brera<\/title>\n<meta name=\"description\" content=\"Restoring a painting by Reynolds is overall known to be a challenge, especially if no conservation treatment has been done in the last period.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/ritratto-di-lord-donoughmore\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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