{"id":12181,"date":"2024-11-03T08:22:17","date_gmt":"2024-11-03T08:22:17","guid":{"rendered":"https:\/\/pinacotecabrera.org\/collezioni\/conservazione-e-restauro\/interno-della-pinacoteca-di-brera\/"},"modified":"2024-11-24T16:48:46","modified_gmt":"2024-11-24T16:48:46","slug":"interior-of-pinacoteca-di-brera","status":"publish","type":"restauro","link":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/interior-of-pinacoteca-di-brera\/","title":{"rendered":"Interior of Pinacoteca di Brera"},"content":{"rendered":"<section  class=\"\">\n        <div id=\"restauro-hero\">\n       \n        \n        <div class=\"alignfull padding py-6 md:py-12\">\n            <div id=\"opera-title\" class=\"alignwide\">\n              \n              <div class=\"w-full mb-6 md:mb-12\">\n                <h1 class=\"italic\">Interior of Pinacoteca di Brera<\/h1>\n              <\/div>\n      \n              <div class=\"flex flex-col md:flex-row gap-12\">\n                \n                <div class=\"md:w-1\/3 hidden md:block\">\n                  <h5 class=\"uppercase mb-12\">Technical Details<\/h5>\n                  <ul class=\"flex flex-col gap-4\">\n                    <li>\n                      <h5>Title<\/h5>\n                      Interior of Pinacoteca di Brera\n                    <\/li>\n                                          <li>\n                        <h5>Author<\/h5>\n                        Angelo Ripamonti\n                      <\/li>\n                                                              <li>\n                        <h5>Year<\/h5>\n                        1880 &#8211; 90\n                      <\/li>\n                                                              <li>\n                        <h5>Dimensions<\/h5>\n                        cm 90 x 104\n                      <\/li>\n                                                              <li>\n                        <h5>Inventory<\/h5>\n                        6530\n                      <\/li>\n                                                            <li>\n                      <h5>Materials and Techniques<\/h5>\n                      Oil on canvas\n                    <\/li>\n                                        \n                                                          <\/ul>\n                <\/div>\n      \n                \n                <div class=\"md:w-2\/3 order-1 md:order-2\">\n                        \n                        \n                   \n                   <div id=\"opera-dzi-image\" class=\"mb-6 aspect-square bg-black w-full\" \n                   data-dzi=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-01.jpg\"\n                   data-width=\"2000\"\n                   data-height=\"1566\"\n                   data-images-path=\"https:\/\/pinacotecabrera.org\/wp-content\/themes\/pinacoteca-theme\/open_sea_dragon_images\/\"\n                    ><\/div>\n                      \n                                   \n      \n                  \n                  <div class=\"md:hidden\">\n                    <h5 class=\"uppercase mb-6\">Technical Details<\/h5>\n                    <ul class=\"flex flex-col gap-3\">\n                      <li>\n                        <h5>Title<\/h5>\n                        Interior of Pinacoteca di Brera\n                      <\/li>\n                                              <li>\n                          <h5>Author<\/h5>\n                          Angelo Ripamonti\n                        <\/li>\n                                                                    <li>\n                          <h5>Year<\/h5>\n                          1880 &#8211; 90\n                        <\/li>\n                                                                    <li>\n                          <h5>Dimensions<\/h5>\n                          cm 90 x 104\n                        <\/li>\n                                                                    <li>\n                          <h5>Inventory<\/h5>\n                          6530\n                        <\/li>\n                                                                                      <\/ul>\n                  <\/div>\n      \n                 \n                <\/div>\n              <\/div>\n            <\/div>\n        <\/div>\n\n    <\/div>\n    <\/section>\n\n\n<div class=\"wp-block-group alignfull padding restauro-content is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"big\">The artwork depicts the three large Napoleonic salons of the Pinacoteca as they looked in the second half of the 19th century until the direction of Corrado Ricci (fig.1).<\/p>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--40)\">In the first room we recognize important paintings of the Lombard school: Bergognone&#8217;s<em> St. Rocco<\/em> on the right wall and Giovenone&#8217;s <em>Madonna with Babino and Saints,<\/em> Daniele Crespi&#8217;s <em>Martyrdom of St. Stephen, <\/em>Vermiglio&#8217;s <em>Nativity Scene<\/em>, Procaccini&#8217;s <em>St. Jerome and St. Cecilia,<\/em> a row of portraits by Daniele Crespi as well as Lomazzo&#8217;s Self-portrait; in the next room we see fifteenth-century altarpieces by Giacomo Francia, Giovanni Martini da Udine, and Ercole de&#8217; Roberti while in the back room we glimpse the great sixteenth-century Venetian altarpieces.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image aligncenter size-large size-medium wp-image-19519\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"802\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-01-1-1024x802.jpg\" alt=\"The painting after restoration\" class=\"wp-image-9184\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-01-1-1024x802.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-01-1-300x235.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-01-1-768x601.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-01-1-1536x1203.jpg 1536w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-01-1.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The painting after restoration (fig.1)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>The painting is made in oil on canvas with a technique for shaded spot backgrounds in line with the Scapigliatura style of painting. The canvas with orthogonal weave has a light preparation layering and is still mounted on the original wooden frame with a central crossbeam and expansion system by means of angle bolts (fig.2). The pictorial layers are marked by irregular mesh crazing generated by the loosening of the fabric (fig.3).<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19521\"><img loading=\"lazy\" decoding=\"async\" width=\"1525\" height=\"592\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-02.jpg\" alt=\"Above, the back of the painting (fig.2). Bottom, grazing light photograph before the last restoration: the deformation of the fabric and the cracking of the pictorial layers can be seen (fig.3)\" class=\"wp-image-9186\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-02.jpg 1525w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-02-300x116.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-02-1024x398.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-02-768x298.jpg 768w\" sizes=\"auto, (max-width: 1525px) 100vw, 1525px\" \/><figcaption class=\"wp-element-caption\">Above, the back of the painting (fig.2). Bottom, grazing light photograph before the last restoration: the deformation of the fabric and the cracking of the pictorial layers can be seen (fig.3)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>The painting has undergone two restorations: the first was in 1974 when the very dirty and torn canvas was cleaned, retouched, and varnished; on the back, the tear was repaired with a patch, and the canvas was re-tensioned by exerting pressure on the frame&#8217;s connecting rods (fig. 4).<br>In 2018, in anticipation of the painting&#8217;s exhibition in the museum&#8217;s first room, the work underwent another intervention. The restoration was necessary because the legibility of the work was reduced by the alteration of the varnishes that gave a yellow and uneven coloring to the surface (fig.5). The intervention was carried out through a gradual thinning of the resins present (fig.6) and completed by brush painting and pictorial integration of the small gaps with reversible varnish colors (fig.1). The canvas, which was again loose (fig.3), was re-tensioned through additional pressure on the connecting rods and reinserted into the frame.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"941\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-03.jpg\" alt=\"The painting photographed after the 1974 restoration\" class=\"wp-image-9188\" style=\"object-fit:cover\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-03.jpg 1200w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-03-300x235.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-03-1024x803.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-03-768x602.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption class=\"wp-element-caption\">The painting photographed after the 1974 restoration (fig.4)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>The complexity of the intervention was mainly related to the different state of preservation of the various parts of the painting, so it was important to be able to preliminarily distinguish the original parts from the remake parts, especially on the left hand, landscape and face.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-large size-medium wp-image-19523\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"802\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-04-1024x802.jpg\" alt=\"Ultraviolet light photograph. Note the uneven paint application and the retouched tear on the first column on the left\" class=\"wp-image-9190\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-04-1024x802.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-04-300x235.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-04-768x601.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-04.jpg 1452w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ultraviolet light photograph. Note the uneven paint application and the retouched tear on the first column on the left (fig.5)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Numerous diagnostic techniques were then employed, including reflectography, infrared false color, ultraviolet fluorescence, radiography, X-fluorescence, colorimetric spectrometry in reflectance and some stratigraphic samples. From the intersection of the various results, it was possible to obtain a significant picture of the execution technique and the state of conservation of the work.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-large size-medium wp-image-19523\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"794\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-05-1024x794.jpg\" alt=\"Photograph during cleaning; note the dowels with evidence of altered paint remova\" class=\"wp-image-9192\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-05-1024x794.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-05-300x233.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-05-768x596.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Ripamonti-05.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photograph during cleaning; note the dowels with evidence of altered paint removal (fig.6)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","class_list":["post-12181","restauro","type-restauro","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.5 (Yoast SEO v26.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Interior of Pinacoteca di Brera | Pinacoteca di Brera<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/interior-of-pinacoteca-di-brera\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interior of Pinacoteca di Brera\" \/>\n<meta property=\"og:description\" content=\"The artwork depicts the three large Napoleonic salons of the Pinacoteca as they looked in the second half of the 19th century until the direction of Corrado Ricci (fig.1). 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