{"id":12179,"date":"2024-11-06T08:14:12","date_gmt":"2024-11-06T08:14:12","guid":{"rendered":"https:\/\/pinacotecabrera.org\/collezioni\/conservazione-e-restauro\/ritratto-del-conte-antonio-di-porcia-e-brugnera\/"},"modified":"2024-11-24T16:45:28","modified_gmt":"2024-11-24T16:45:28","slug":"portrait-of-count-antonio-porcia-and-brugnera","status":"publish","type":"restauro","link":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/","title":{"rendered":"Portrait of Count Antonio Porcia and Brugnera"},"content":{"rendered":"<section  class=\"\">\n        <div id=\"restauro-hero\">\n       \n        \n        <div class=\"alignfull padding py-6 md:py-12\">\n            <div id=\"opera-title\" class=\"alignwide\">\n              \n              <div class=\"w-full mb-6 md:mb-12\">\n                <h1 class=\"italic\">Portrait of Count Antonio Porcia and Brugnera<\/h1>\n              <\/div>\n      \n              <div class=\"flex flex-col md:flex-row gap-12\">\n                \n                <div class=\"md:w-1\/3 hidden md:block\">\n                  <h5 class=\"uppercase mb-12\">Technical Details<\/h5>\n                  <ul class=\"flex flex-col gap-4\">\n                    <li>\n                      <h5>Title<\/h5>\n                      Portrait of Count Antonio Porcia and Brugnera\n                    <\/li>\n                                          <li>\n                        <h5>Author<\/h5>\n                        Tiziano Vecellio\n                      <\/li>\n                                                              <li>\n                        <h5>Year<\/h5>\n                        1535 &#8211; 40 \n                      <\/li>\n                                                              <li>\n                        <h5>Dimensions<\/h5>\n                        cm 115 x 93\n                      <\/li>\n                                                              <li>\n                        <h5>Inventory<\/h5>\n                        5958\n                      <\/li>\n                                                            <li>\n                      <h5>Materials and Techniques<\/h5>\n                      Oil on canvas\n                    <\/li>\n                                        \n                                          <li>\n                        <h5>Room<\/h5>\n                        XIX\n                      <\/li>\n                                                              <li>\n                        <h5>Signature<\/h5>\n                        TITIANVS\n                      <\/li>\n                                      <\/ul>\n                <\/div>\n      \n                \n                <div class=\"md:w-2\/3 order-1 md:order-2\">\n                        \n                        \n                   \n                   <div id=\"opera-dzi-image\" class=\"mb-6 aspect-square bg-black w-full\" \n                   data-dzi=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Tiziano-PorciaGIUSTO.jpg\"\n                   data-width=\"809\"\n                   data-height=\"1024\"\n                   data-images-path=\"https:\/\/pinacotecabrera.org\/wp-content\/themes\/pinacoteca-theme\/open_sea_dragon_images\/\"\n                    ><\/div>\n                      \n                                   \n      \n                  \n                  <div class=\"md:hidden\">\n                    <h5 class=\"uppercase mb-6\">Technical Details<\/h5>\n                    <ul class=\"flex flex-col gap-3\">\n                      <li>\n                        <h5>Title<\/h5>\n                        Portrait of Count Antonio Porcia and Brugnera\n                      <\/li>\n                                              <li>\n                          <h5>Author<\/h5>\n                          Tiziano Vecellio\n                        <\/li>\n                                                                    <li>\n                          <h5>Year<\/h5>\n                          1535 &#8211; 40 \n                        <\/li>\n                                                                    <li>\n                          <h5>Dimensions<\/h5>\n                          cm 115 x 93\n                        <\/li>\n                                                                    <li>\n                          <h5>Inventory<\/h5>\n                          5958\n                        <\/li>\n                                                                    <li>\n                          <h5>Room<\/h5>\n                          XIX\n                        <\/li>\n                                                                    <li>\n                          <h5>Signature<\/h5>\n                          TITIANVS\n                        <\/li>\n                                          <\/ul>\n                  <\/div>\n      \n                 \n                <\/div>\n              <\/div>\n            <\/div>\n        <\/div>\n\n    <\/div>\n    <\/section>\n\n\n<div class=\"wp-block-group alignfull padding restauro-content is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"big\">Restoration began in March 2014 and was completed in October of the same year.<br>The painting can be dated between 1535 and 1540, and is signed in capital Latin characters on the sill on the right: \u201cTITIANVS\u201d (fig. 1). Count Antonio Porcia was a member of an important Friulian lineage.<\/p>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--40)\">The canvas, originally placed in the family castle, passed by inheritance first to Carinthia and then to Milan, to be donated to the Pinacoteca di Brera in 1891.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image aligncenter size-large size-medium wp-image-19519\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"598\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1024x598.jpg\" alt=\"Il dipinto al termine del restauro, nella sua cornice (fig. 1)\" class=\"wp-image-9173\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1024x598.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-300x175.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-768x449.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1536x898.jpg 1536w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-2048x1197.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The painting at the end of the restoration, in its frame (fig. 1)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Before being delivered to the Gallery, the work was entrusted to the famous restorer Luigi Cavenaghi. The work had undergone some tampering over time, due to repeated format changes with adaptation of the frame and cornice, which had significantly damaged it around the perimeter (fig. 2). There were also tears in the backing canvas and other damage, to remedy which the painting had been applied to a remodeled canvas and extensively retouched (fig. 3). In addition, a black layer had been spread over the entire background that cut out the figure&#8217;s outline, completely covering the landscape, the dark background, and the signature.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19521\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1082\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-02-1-scaled.jpg\" alt=\"A sinistra, riflettografia IR con rilievo grafico delle differenti ripiegature della tela (fig. 2). A destra, dettaglio del volto in luce radente prima del restauro, RX, e UVF (fig. 3)\n\" class=\"wp-image-9175\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-02-1-scaled.jpg 2560w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-02-1-300x127.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-02-1-1024x433.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-02-1-768x324.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-02-1-1536x649.jpg 1536w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-02-1-2048x865.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption class=\"wp-element-caption\">Left, IR reflectography with graphic relief of the different folds of the canvas (fig. 2). Right, detail of the face in grazing light before restoration, RX, and UVF (fig. 3)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>In 1891 Cavenaghi&#8217;s cleaning of the painting then brought to light some areas in a poor state of preservation, in particular along the right side a wide clear band signaled the now-absence of original color on the white preparation of the canvas. The fingers of the count&#8217;s left hand had been completely repainted and then contoured from the black background, removed from which they now remained isolated and incongruous (fig. 4). That is why the nineteenth-century restorer at the end of the restoration decided to cover the clear band, and the posed fingers, with a modification of the fine carved and gilded frame that still contains the work (fig. 5).<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1741\" height=\"1200\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-03.jpg\" alt=\"Left, detail of the left hand in visible light before restoration, RX and IRR (fig. 4). Right, photo of the painting after Cavenaghi's restoration, taken in 1892 by Luigi Dubray (fig. 5)\" class=\"wp-image-9177\" style=\"object-fit:cover\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-03.jpg 1741w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-03-300x207.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-03-1024x706.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-03-768x529.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-03-1536x1059.jpg 1536w\" sizes=\"auto, (max-width: 1741px) 100vw, 1741px\" \/><figcaption class=\"wp-element-caption\">Left, detail of the left hand in visible light before restoration, RX and IRR (fig. 4). Right, photo of the painting after Cavenaghi&#8217;s restoration, taken in 1892 by Luigi Dubray (fig. 5)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>The complexity of the intervention was mainly related to the different state of conservation of the various parts of the painting, so it was important to be able to preliminarily distinguish the original parts from the remake parts, especially on the left hand, landscape and face. Numerous diagnostic techniques were therefore employed, including reflectography, infrared false color, ultraviolet fluorescence, radiography, X-fluorescence, colorimetric reflectance spectrometry and some stratigraphic samples. From the intersection of the various results, it was possible to obtain a significant picture of the execution technique and the state of conservation of the work.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-large size-medium wp-image-19523\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-04-678x1024.jpg\" alt=\"In alto, macrofotografia 200x della tela originale, microscopio digitale (fig. 6). In basso, campione stratigrafico sull\u2019ombra rossa della mano sinistra in luce visibile, fluorescenza ultravioletta, ed ESEM\/EDS (fig. 7)\n\" class=\"wp-image-9179\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-04-678x1024.jpg 678w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-04-199x300.jpg 199w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-04-768x1160.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-04-1017x1536.jpg 1017w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-04.jpg 1192w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><figcaption class=\"wp-element-caption\">Top, 200x macrophotograph of the original canvas, digital microscope (fig. 6). Bottom, stratigraphic sample on the red shadow of the left hand in visible light, ultraviolet fluorescence, and ESEM\/EDS (fig. 7)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>After the restoration was completed, the image regained good legibility. The portrait has regained expressive force, the landscape clarity and depth, the dark drapery and background the subtle modulation of tones, and some details such as a minute bucolic scene in the foreground of the landscape, the right hand holding a glove and sword, and the signature itself are now enjoyable. Careful study of the remaking hand, and more generally of the right margin and landscape, has provided clarity by freeing the original parts from later additions as much as possible. Some of Cavenaghi&#8217;s retouches near the perimeter were nevertheless left, where it was felt that a removal would not have freed hidden original portions or facilitated the reading of the image.<br>Finally, the painting was relocated to its 19th-century frame and returned to its place in room XIX of the Pinacoteca di Brera.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-large size-medium wp-image-19523\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-05-683x1024.jpg\" alt=\"Detail of the right hand in visible light, RX and IRR\" class=\"wp-image-9181\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-05-683x1024.jpg 683w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-05-200x300.jpg 200w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-05-768x1152.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-05-1024x1536.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-05.jpg 1067w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Detail of the right hand in visible light, RX and IRR (fig. 8)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","class_list":["post-12179","restauro","type-restauro","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.5 (Yoast SEO v26.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Portrait of Count Antonio Porcia and Brugnera | Pinacoteca di Brera<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portrait of Count Antonio Porcia and Brugnera\" \/>\n<meta property=\"og:description\" content=\"Restoration began in March 2014 and was completed in October of the same year.The painting can be dated between 1535 and 1540, and is signed in capital Latin characters on the sill on the right: \u201cTITIANVS\u201d (fig. 1). Count Antonio Porcia was a member of an important Friulian lineage. The canvas, originally placed in the &hellip; Continued\" \/>\n<meta property=\"og:url\" content=\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/\" \/>\n<meta property=\"og:site_name\" content=\"Pinacoteca di Brera\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/PinacotecadiBrera\/\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-24T16:45:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2206\" \/>\n\t<meta property=\"og:image:height\" content=\"1289\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@museobrera\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/\",\"url\":\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/\",\"name\":\"Portrait of Count Antonio Porcia and Brugnera | Pinacoteca di Brera\",\"isPartOf\":{\"@id\":\"https:\/\/pinacotecabrera.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1024x598.jpg\",\"datePublished\":\"2024-11-06T08:14:12+00:00\",\"dateModified\":\"2024-11-24T16:45:28+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#primaryimage\",\"url\":\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1024x598.jpg\",\"contentUrl\":\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1024x598.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/pinacotecabrera.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Portrait of Count Antonio Porcia and Brugnera\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/pinacotecabrera.org\/#website\",\"url\":\"https:\/\/pinacotecabrera.org\/\",\"name\":\"Pinacoteca di Brera\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/pinacotecabrera.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/pinacotecabrera.org\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/pinacotecabrera.org\/#organization\",\"name\":\"Pinacoteca di Brera\",\"url\":\"https:\/\/pinacotecabrera.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/pinacotecabrera.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2025\/09\/Pinacoteca_Brera_logo.png\",\"contentUrl\":\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2025\/09\/Pinacoteca_Brera_logo.png\",\"width\":1100,\"height\":1100,\"caption\":\"Pinacoteca di Brera\"},\"image\":{\"@id\":\"https:\/\/pinacotecabrera.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/PinacotecadiBrera\/\",\"https:\/\/x.com\/museobrera\",\"https:\/\/www.instagram.com\/pinacotecabrera\/\",\"https:\/\/www.youtube.com\/user\/pinacotecabrera\",\"https:\/\/vimeo.com\/pinacotecabrera\"]}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Portrait of Count Antonio Porcia and Brugnera | Pinacoteca di Brera","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/","og_locale":"en_US","og_type":"article","og_title":"Portrait of Count Antonio Porcia and Brugnera","og_description":"Restoration began in March 2014 and was completed in October of the same year.The painting can be dated between 1535 and 1540, and is signed in capital Latin characters on the sill on the right: \u201cTITIANVS\u201d (fig. 1). Count Antonio Porcia was a member of an important Friulian lineage. The canvas, originally placed in the &hellip; Continued","og_url":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/","og_site_name":"Pinacoteca di Brera","article_publisher":"https:\/\/www.facebook.com\/PinacotecadiBrera\/","article_modified_time":"2024-11-24T16:45:28+00:00","og_image":[{"width":2206,"height":1289,"url":"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@museobrera","twitter_misc":{"Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/","url":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/","name":"Portrait of Count Antonio Porcia and Brugnera | Pinacoteca di Brera","isPartOf":{"@id":"https:\/\/pinacotecabrera.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#primaryimage"},"image":{"@id":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#primaryimage"},"thumbnailUrl":"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1024x598.jpg","datePublished":"2024-11-06T08:14:12+00:00","dateModified":"2024-11-24T16:45:28+00:00","breadcrumb":{"@id":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#primaryimage","url":"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1024x598.jpg","contentUrl":"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Ritratto-Porcia-restauro-01-1024x598.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-count-antonio-porcia-and-brugnera\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/pinacotecabrera.org\/en\/"},{"@type":"ListItem","position":2,"name":"Portrait of Count Antonio Porcia and Brugnera"}]},{"@type":"WebSite","@id":"https:\/\/pinacotecabrera.org\/#website","url":"https:\/\/pinacotecabrera.org\/","name":"Pinacoteca di Brera","description":"","publisher":{"@id":"https:\/\/pinacotecabrera.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/pinacotecabrera.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/pinacotecabrera.org\/#organization","name":"Pinacoteca di Brera","url":"https:\/\/pinacotecabrera.org\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/pinacotecabrera.org\/#\/schema\/logo\/image\/","url":"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2025\/09\/Pinacoteca_Brera_logo.png","contentUrl":"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2025\/09\/Pinacoteca_Brera_logo.png","width":1100,"height":1100,"caption":"Pinacoteca di Brera"},"image":{"@id":"https:\/\/pinacotecabrera.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/PinacotecadiBrera\/","https:\/\/x.com\/museobrera","https:\/\/www.instagram.com\/pinacotecabrera\/","https:\/\/www.youtube.com\/user\/pinacotecabrera","https:\/\/vimeo.com\/pinacotecabrera"]}]}},"_links":{"self":[{"href":"https:\/\/pinacotecabrera.org\/en\/wp-json\/wp\/v2\/restauro\/12179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pinacotecabrera.org\/en\/wp-json\/wp\/v2\/restauro"}],"about":[{"href":"https:\/\/pinacotecabrera.org\/en\/wp-json\/wp\/v2\/types\/restauro"}],"wp:attachment":[{"href":"https:\/\/pinacotecabrera.org\/en\/wp-json\/wp\/v2\/media?parent=12179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}