{"id":12169,"date":"2024-11-17T17:50:41","date_gmt":"2024-11-17T17:50:41","guid":{"rendered":"https:\/\/pinacotecabrera.org\/collezioni\/conservazione-e-restauro\/ritratto-di-gentiluomo-anziano-con-guanti-liberale-da-pinedel\/"},"modified":"2024-11-24T16:26:28","modified_gmt":"2024-11-24T16:26:28","slug":"portrait-of-an-elderly-gentleman-with-gloves-liberale-da-pinedel","status":"publish","type":"restauro","link":"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-an-elderly-gentleman-with-gloves-liberale-da-pinedel\/","title":{"rendered":"Portrait of an Elderly Gentleman with Gloves (Liberale da Pinedel?)"},"content":{"rendered":"<section  class=\"\">\n        <div id=\"restauro-hero\">\n       \n        \n        <div class=\"alignfull padding py-6 md:py-12\">\n            <div id=\"opera-title\" class=\"alignwide\">\n              \n              <div class=\"w-full mb-6 md:mb-12\">\n                <h1 class=\"italic\">Portrait of an Elderly Gentleman with Gloves (Liberale da Pinedel?)<\/h1>\n              <\/div>\n      \n              <div class=\"flex flex-col md:flex-row gap-12\">\n                \n                <div class=\"md:w-1\/3 hidden md:block\">\n                  <h5 class=\"uppercase mb-12\">Technical Details<\/h5>\n                  <ul class=\"flex flex-col gap-4\">\n                    <li>\n                      <h5>Title<\/h5>\n                      Portrait of an Elderly Gentleman with Gloves (Liberale da Pinedel?)\n                    <\/li>\n                                          <li>\n                        <h5>Author<\/h5>\n                        Lorenzo Lotto\n                      <\/li>\n                                                              <li>\n                        <h5>Year<\/h5>\n                        1542 &#8211; 4\n                      <\/li>\n                                                              <li>\n                        <h5>Dimensions<\/h5>\n                        cm 90 x 75\n                      <\/li>\n                                                              <li>\n                        <h5>Inventory<\/h5>\n                        370\n                      <\/li>\n                                                            <li>\n                      <h5>Materials and Techniques<\/h5>\n                      Oil on canvas\n                    <\/li>\n                                        \n                                          <li>\n                        <h5>Room<\/h5>\n                        XIX\n                      <\/li>\n                                                              <li>\n                        <h5>Signature<\/h5>\n                        L. LOTO\n                      <\/li>\n                                      <\/ul>\n                <\/div>\n      \n                \n                <div class=\"md:w-2\/3 order-1 md:order-2\">\n                        \n                        \n                   \n                   <div id=\"opera-dzi-image\" class=\"mb-6 aspect-square bg-black w-full\" \n                   data-dzi=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Ritratto-di-Liberale-da-Pinedel-di-L.-Lotto.jpg\"\n                   data-width=\"1424\"\n                   data-height=\"1699\"\n                   data-images-path=\"https:\/\/pinacotecabrera.org\/wp-content\/themes\/pinacoteca-theme\/open_sea_dragon_images\/\"\n                    ><\/div>\n                      \n                                   \n      \n                  \n                  <div class=\"md:hidden\">\n                    <h5 class=\"uppercase mb-6\">Technical Details<\/h5>\n                    <ul class=\"flex flex-col gap-3\">\n                      <li>\n                        <h5>Title<\/h5>\n                        Portrait of an Elderly Gentleman with Gloves (Liberale da Pinedel?)\n                      <\/li>\n                                              <li>\n                          <h5>Author<\/h5>\n                          Lorenzo Lotto\n                        <\/li>\n                                                                    <li>\n                          <h5>Year<\/h5>\n                          1542 &#8211; 4\n                        <\/li>\n                                                                    <li>\n                          <h5>Dimensions<\/h5>\n                          cm 90 x 75\n                        <\/li>\n                                                                    <li>\n                          <h5>Inventory<\/h5>\n                          370\n                        <\/li>\n                                                                    <li>\n                          <h5>Room<\/h5>\n                          XIX\n                        <\/li>\n                                                                    <li>\n                          <h5>Signature<\/h5>\n                          L. LOTO\n                        <\/li>\n                                          <\/ul>\n                  <\/div>\n      \n                 \n                <\/div>\n              <\/div>\n            <\/div>\n        <\/div>\n\n    <\/div>\n    <\/section>\n\n\n<div class=\"wp-block-group alignfull padding restauro-content is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"big\">Lorenzo Lotto (Venice 1480 &#8211; Loreto 1557) was one of the leading figures of the Italian Renaissance; he worked mainly in Venice, Bergamo, and the Marche region, devoting himself to both sacred and portrait painting. The artist, who was never a court portraitist, had bishops, soldiers, merchants, wealthy artisans and professionals among his patrons.<\/p>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--40)\">The identity of the effigy, still uncertain, probably corresponds to the Treviso notary Liberale da Pinedel (1495-1548). The canvas was made around 1543, when the mature painter had assimilated and elaborated some stylistic, compositional, and technical aspects of the most famous portrait painter of his time, Titian Vecellio.<\/p>\n\n\n\n<p>Critics are unanimous in considering this painting one of the best portraits executed by Lorenzo Lotto in terms of quality and expressiveness, as well as one of the masterpieces of the genre for the time.<br>The work was acquired by the Pinacoteca in 1859.<\/p>\n\n\n\n<p>The canvas has been in the Transparent Restoration Laboratory in Room XVIII (fig. 2) since February 2019, where the current intervention can be seen.<br>Prior to the restoration, the painting underwent a thorough photographic and diagnostic campaign (figs. 3, 4), including diffuse and grazing light shots, macrophotographs and microscope photographs, infrared reflectography (IRR), infrared false color (IRFC), ultraviolet fluorescence (UVF), and reflectance spectrometry (Vis-RS). The results and direct observations of the work provided a deeper understanding of the artist&#8217;s technique, allowing each phase of the restoration work to be set up.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19519\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1520\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/9-Confronto-prima-dopo-pulitura2-1-scaled.jpg\" alt=\"Comparison of the painting before restoration and after cleaning (Fig. 9)\" class=\"wp-image-9130\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/9-Confronto-prima-dopo-pulitura2-1-scaled.jpg 2560w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/9-Confronto-prima-dopo-pulitura2-1-300x178.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/9-Confronto-prima-dopo-pulitura2-1-1024x608.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/9-Confronto-prima-dopo-pulitura2-1-768x456.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/9-Confronto-prima-dopo-pulitura2-1-1536x912.jpg 1536w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/9-Confronto-prima-dopo-pulitura2-1-2048x1216.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption class=\"wp-element-caption\">Comparison of the painting before restoration and after cleaning (Fig. 9)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Then the artist set up the composition of the portrait from life, drawing directly on the light surface with a thin brush. In infrared (IRR) images, it is possible to read at high magnifications minute traces of the underlying drawing, such as the faint lines noted at the mouth and eyes (fig. 6).<\/p>\n\n\n\n<p>The oil paint layering is fluid and thin, with more prominent brush strokes at the highlights and transparent glazes for the play of blacks and browns that characterizes the robe (fig. 7).<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19521\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"825\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-02-582x600-1.jpg\" alt=\"In alto, l\u2019opera collocata nel laboratorio di restauro della Pinacoteca di Brera (Fig. 2); in basso da sinistra, particolare in luce visibile diffusa e radente, riflettografia IR, infrarosso falso colore e fluorescenza ultravioletta (Fig. 3); immagine al microscopio di un pelo della barba realizzato con una sottile pennellata a base cinabro. (230x) (Fig. 4)\" class=\"wp-image-9122\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-02-582x600-1.jpg 800w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-02-582x600-1-291x300.jpg 291w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-02-582x600-1-768x792.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Above, the work placed in the restoration laboratory of the Pinacoteca di Brera (Fig. 2); below from left, detail in diffuse and grazing visible light, IR reflectography, false-color infrared, and ultraviolet fluorescence (Fig. 3); microscope image of a beard hair made with a thin cinnabar-based brushstroke. (230x) (Fig. 4)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\" style=\"margin-top:var(--wp--preset--spacing--50);margin-bottom:var(--wp--preset--spacing--40)\">Previous restoration and state of preservation<\/h4>\n\n\n\n<p>The painting was restored several times before it entered the museum. One major intervention included lining the canvas and replacing the frame, the functionality of which needs to be verified as the canvas appears slightly deformed. Some altered retouching is visible, concentrated along the perimeter and at a previous tear in the support. Small color falls and abrasions are visible in the central area and along the edges. A protective varnish, highly fluorescent in UV light, now appears yellowed, dulled, and uneven due to previous partial cleaning at the face and jacket lapels (figs. 3, 8).<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1459\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-03-600x456-1.jpg\" alt=\"Left, verso of the painting (Fig. 5); right top, detail of IR reflectography, the drawing below is highlighted (Fig. 6); right bottom, detail in grazing light (Fig. 7)\" class=\"wp-image-9124\" style=\"width:800px\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-03-600x456-1.jpg 1920w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-03-600x456-1-300x228.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-03-600x456-1-1024x778.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-03-600x456-1-768x584.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-03-600x456-1-1536x1167.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Left, verso of the painting (Fig. 5); right top, detail of IR reflectography, the drawing below is highlighted (Fig. 6); right bottom, detail in grazing light (Fig. 7)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\" style=\"margin-top:var(--wp--preset--spacing--50);margin-bottom:var(--wp--preset--spacing--40)\">Restoration work<\/h4>\n\n\n\n<p>The cleaning followed criteria of gradualness, selectivity and controllability of applications, and included the removal of layers of surface deposits and the thinning of varnishes, non-original patinas and retouches that are now altered.<br>Currently, the cleaning is finished, and from the comparison with the image before the restoration, it is possible to appreciate the recovery of legibility of the image, the variety of tones and textural effects of the dress and flesh tones.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image aligncenter size-full size-medium wp-image-19523\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1440\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-04-600x450-2.jpg\" alt=\"UV fluorescence detail, showing scratches and retouched fillings\" class=\"wp-image-9128\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-04-600x450-2.jpg 1920w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-04-600x450-2-300x225.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-04-600x450-2-1024x768.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-04-600x450-2-768x576.jpg 768w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-di-Brera-Restauro-Lorenzo-Lotto-Ritratto-Liberale-da-Pinedel-04-600x450-2-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">UV fluorescence detail, showing scratches and retouched fillings (Fig. 8)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","class_list":["post-12169","restauro","type-restauro","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.5 (Yoast SEO v26.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Portrait of an Elderly Gentleman with Gloves (Liberale da Pinedel?) | Pinacoteca di Brera<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinacotecabrera.org\/en\/collezioni\/conservazione-e-restauro\/portrait-of-an-elderly-gentleman-with-gloves-liberale-da-pinedel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portrait of an Elderly Gentleman with Gloves (Liberale da Pinedel?)\" \/>\n<meta property=\"og:description\" content=\"Lorenzo Lotto (Venice 1480 &#8211; 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The artist, who was never a court portraitist, had bishops, soldiers, merchants, wealthy artisans and professionals among his patrons. 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