{"id":12060,"date":"2024-11-14T17:22:57","date_gmt":"2024-11-14T17:22:57","guid":{"rendered":"https:\/\/pinacotecabrera.org\/news\/mostra\/secondo-dialogo-attorno-a-mantegna\/"},"modified":"2024-11-24T11:22:42","modified_gmt":"2024-11-24T11:22:42","slug":"andrea-mantegna-new-perspectives","status":"publish","type":"mostra","link":"https:\/\/pinacotecabrera.org\/en\/news\/mostra\/andrea-mantegna-new-perspectives\/","title":{"rendered":"Andrea Mantegna: New Perspectives"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull padding vertical-padding bg-one is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide visita-title is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><section  class=\"h-full\">\n    <div id=\"mostre-title\" class=\"flex items-center justify-center h-full\"> \n        <div class=\"text-center\">\n            <span class=\"font-pinacoteca-heading uppercase mb-2 block\">Exhibition<\/span>\n            <h1 class=\"text-center mb-6\">Andrea Mantegna: New Perspectives<\/h1>\n            <span class=\"font-bold block\">June 16, 2016 to September 25, 2016<\/span>\n            <span class=\"font-bold block\"><\/span>\n        <\/div>\n    <\/div>\n<\/section>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><figure style=\"aspect-ratio:1;\" class=\"wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Secondo dialogo \u201cAttorno a Mantegna\u201d\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna-300x225.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna-768x576.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignwide vertical-padding is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h4 class=\"wp-block-heading\" style=\"margin-bottom:var(--wp--preset--spacing--40)\">Annibale Carracci\u2019s <em>Lamentation over the Dead Christ<\/em> is coming to Brera to engage in dialogue with Andrea Mantegna\u2019s masterpiece and also with another version of the same theme, <em>the Lamentation over the Dead Christ<\/em>, painted by Orazio Borgianni.<\/h4>\n\n\n\n<p style=\"margin-bottom:var(--wp--preset--spacing--40)\">The two works, displayed side by side for the very first time, comprise the second outstanding dialogue devised by the Pinacoteca di Brera, a museum in the process of renewing its approach in an effort to offer its visitors food for thought with a collection that includes some of the most important masterpieces of painting in the world.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3784d9d3 wp-block-columns-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--60)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Secondo dialogo. Attorno a Mantegna - video teaser\" src=\"https:\/\/player.vimeo.com\/video\/169748703?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p style=\"margin-bottom:var(--wp--preset--spacing--40)\">Mantegna&#8217;s work will be shown not only alongside Carracci&#8217;s version but also with another version of the same theme, the<em> Lamentation over the Dead Christ<\/em>, painted by Orazio Borgianni in 1615 and on loan from the Galleria Spada in Rome.<br>Illustrating the painter&#8217;s mastery of perspective, and with a strength of expression coupled with stern composure making it one of the best-known symbols of Italian art, Mantegna&#8217;s <em>Lamentation over the Dead Christ<\/em>, which can be dated to around 1480, was remarkably popular as a model in the 16th and 17th centuries. We know this thanks to a prestigious series of works clearly inspired by it, including Carracci&#8217;s painting (dated 1583\u20135) which underscores the crude realism of the scene by highlighting the instruments of Christ&#8217;s martyrdom, focusing in particular on the Crown of Thorns in the foreground to point up the brutality of the torture so recently administered. While the third work in the dialogue, by Orazio Borgianni, develops the theme against a background more reminiscent of Caravaggio&#8217;s style.<\/p>\n\n\n\n<p style=\"margin-bottom:var(--wp--preset--spacing--40)\">Dialogue curated by Keith Christiansen<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3784d9d3 wp-block-columns-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--60)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"486\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna-secondo-dialogo.jpg\" alt=\"Cristo morto nel sepolcro e tre dolenti\" class=\"wp-image-5263\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna-secondo-dialogo.jpg 1200w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna-secondo-dialogo-300x122.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna-secondo-dialogo-1024x415.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Pinacoteca-Brera-Attorno-a-Mantegna-secondo-dialogo-768x311.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption class=\"wp-element-caption\">Da sinistra, Andrea Mantegna,&nbsp;<em>Cristo morto nel sepolcro e tre dolenti<\/em>, 1470-1474. Annibale Carracci,&nbsp;<em>Cristo morto e strumenti della Passione&nbsp;<\/em>, 1583-1585.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3784d9d3 wp-block-columns-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--60)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"844\" src=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Galleria-Spada-Borgianni.jpg\" alt=\"Orazio Borgianni, Compianto sul Cristo morto\" class=\"wp-image-5265\" srcset=\"https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Galleria-Spada-Borgianni.jpg 1200w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Galleria-Spada-Borgianni-300x211.jpg 300w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Galleria-Spada-Borgianni-1024x720.jpg 1024w, https:\/\/pinacotecabrera.org\/wp-content\/uploads\/2024\/11\/Galleria-Spada-Borgianni-768x540.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption class=\"wp-element-caption\">Orazio Borgianni, <em>Compianto sul Cristo morto<\/em>, 1615<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull links-wrapper padding is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group alignwide is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column left is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\" style=\"margin-bottom:var(--wp--preset--spacing--40)\">Info<\/h4>\n\n\n\n<p style=\"margin-bottom:var(--wp--preset--spacing--40)\"><strong>When<br><\/strong>June 16, 2016 to September 25, 2016<\/p>\n\n\n\n<p style=\"margin-bottom:var(--wp--preset--spacing--40)\"><strong>Where<br><\/strong>Room 6<\/p>\n\n\n\n<p><strong>Hours<br><\/strong>Mar-Mer-Gio-Ven-Sab-Dom: 8.30>19.15 (chiusura biglietteria: 18.30)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column right is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\" style=\"margin-bottom:var(--wp--preset--spacing--40)\"><\/h4>\n\n\n\n<p style=\"margin-bottom:var(--wp--preset--spacing--60)\"><strong>Exhibitions and Events Department<\/strong><br>tel. 02 72263.259 &#8211; 266&nbsp;<br><a href=\"mostre-eventi.brera@cultura.gov.it\">mostre-eventi.brera@cultura.gov.it<br><\/a><br><strong>Communication Department<\/strong><br>tel. 02 72263.259 &#8211; 266&nbsp;<br><a href=\"mailto:comunicazione.brera@beniculturali.it\" target=\"_blank\" rel=\"noreferrer noopener\">comunicazione.brera@ cultura.gov.i<\/a><a href=\"comunicazione.brera@cultura.gov.it\" target=\"_blank\" rel=\"noreferrer noopener\">t<\/a><\/p>\n\n\n\n<p><strong>Educational activities<\/strong><\/p>\n\n\n\n<p>Pinacoteca di Brera Educational Department &#8211; Secretary&nbsp;<br><a href=\"mailto:educazione@pinacotecabrera.org\" target=\"_blank\" rel=\"noreferrer noopener\">educazione@pinacotecabrera.org<\/a><\/p>\n\n\n\n<p><br><strong>Press Office<\/strong><\/p>\n\n\n\n<p>Antonella Fiori <br>m +39 347 2526982&nbsp;<br><a href=\"mailto:ufficio.stampa@pinacotecabrera.org\">ufficio.stampa@ pinacotecabrera.org<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":5268,"template":"","meta":{"_acf_changed":true},"class_list":["post-12060","mostra","type-mostra","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.5 (Yoast SEO v26.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Andrea Mantegna: New Perspectives | Pinacoteca di Brera<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinacotecabrera.org\/en\/news\/mostra\/andrea-mantegna-new-perspectives\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andrea Mantegna: New Perspectives\" \/>\n<meta property=\"og:description\" content=\"Annibale Carracci\u2019s Lamentation over the Dead Christ is coming to Brera to engage in dialogue with Andrea Mantegna\u2019s masterpiece and also with another version of the same theme, the Lamentation over the Dead Christ, painted by Orazio Borgianni. 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