The two canvases were acquired for Brera from the antique dealer Alessandro Brison and immediately became one of the cornerstones of the collection.
Painted during Bellotto’s journey to Lombardy in 1744, they constitute one of the highest achievements of Europe on landscape painting, while at the same time representing a move in a new direction thanks to the naturalness of the representation and its adherence to reality. Unlike the traditional vedute of Canaletto, who immersed Venice in a brilliant and timeless light, Bellotto’s canvases depict a precise moment of the day: Bellotto focuses on the colours and the peculiar effects of light and he thereby initiates the evolution of that genre in the 19th century.
Ever since they entered the Pinacoteca it was thought that they belonged to the villa of the Melzi family, and that the canvases had been commissioned by Antonio Maria Melzi, owner of the villa at Vaprio d’Adda – also painted by the artist – and a prominent figure in Milan under Austrian rule. However, recent research have revealed that it was not until 1838 that the Melzi became the owners of the building represented here: in fact, at the time of Bellotto’s visit, the villa belonged to the noblemen Gabrio and Giuseppe Perabò from Varese, who held prestigious posts in the administration of the city and above all had friendly relations with Cardinal Giuseppe Pozzobonelli, a knowledgeable collector who became bishop of Milan in 1744.
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View of Villa Perabò, later Melzi, in Gazzada
OBJECT TYPE AND MATERIAL
Oil on canvas
cm 64,5 × 98,5
Work on display
By the same author
In the same date/era
In the same room