Pinacoteca di Brera Informazioni

Madonna of the Candeletta

Carlo Crivelli

The panel came to Brera from the cathedral of San Domenico at Camerino together with a significant group of works: the panel with Saints Ansovinus and Jerome, not recognized at the time as part of the same polyptych and ceded to the Gallerie dell’Accademia in Venice, the Camerino Triptych and the Crucifixion, long thought to belong to the same decorative complex.

According to the most recent hypothesis, the Madonna della Candeletta was originally the central compartment of a polyptych with two rows of panels, commissioned in 1488 for the high altar of Camerino Cathedral by the chaplain Bartolomeo di Angelo Consuli and probably damaged by the devastating earthquake that destroyed the cathedral in 1799.

In spite of the mutilations and retouches that significantly modified its appearance over the course of the 19th century, the work is certainly one of the most mysterious and evocative in the Pinacoteca, a source of inexhaustible fascination owing to the profusion of decorative elements and the somewhat self-satisfied display of illusionistic foreshortenings with which Crivelli embellishes the entire composition, but without creating a credible and measurable space in perspective: a matchless example of the originality with which Crivelli reworked the cardinal principles of the Central Italian Renaissance.

Download hi-res image TITLE Madonna of the Candeletta
AUTHOR Carlo Crivelli
DATE 1488-1490
OBJECT TYPE AND MATERIAL Oil on panel
DIMENSIONS cm 218 × 75
INVENTORY 207
ROOM XXII
Work on display
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