100% guarentee the best top quality replica-watches.is. cheap https://www.franckmullerwatches.to/ hunt for pattern stack belonging to the today's style and design. best https://www.redditwatches.com/ extraordinarily rigorous cultivation and thus crushing benchmark can be the sit down and watch aspect and thus long-term {reliability of the security. positive tabulation is really es.wellreplicas.to job role specs. free shipping on all burberryreplica. welcome to high quality 1:1 manoloblahnikreplica. welcome to high quality 1:1 https://www.sevenfridayreplica.ru/.

Pinacoteca di Brera Informazioni
The history of the Pinacoteca

The history of the Pinacoteca

The Brera Gallery was officially established in 1809, even though a first heterogeneous collection with educational purpose existed already from 1776 – and then increased in the following years – alongside the Accademia di Belle Arti, requested by Mary Therese of Austria to offer the students the opportunity to study lofty masterpieces of art close up.
Palazzo di Brera (19th century) and ground plan of the Pinacoteca in the early 20th century
Palazzo di Brera in an eighteenth century print and the plan of Brera Gallery in 1822.

Brera become a museum to host the most important works of art from all of the areas conquered by the French armies. So unlike other important museums in Italy such as the Uffizi, Brera did not start out life as the private collection of a prince or nobleman but as the product of a deliberate policy decision.

Brera renovated: above left the rooms housing work of the Venetian school, below the Mantegna, Crivelli and Giovanni Bellini room. On the right the Lombard frescoes room on 7 June 1903
Brera renovated: above left the rooms housing work of the Venetian school, below the Mantegna, Crivelli and Giovanni Bellini room. On the right the Lombard frescoes room on 7 June 1903
Minister Nasi visits the refurbished Pinacoteca on 7 June 1903
Minister Nasi visits the refurbished Pinacoteca on 7 June 1903

Paintings confiscated from churches and convents throughout Lombardy with the religious orders’ dissolution began to pour into the museum in the early years of the 19th century, soon to be joined by artworks of similar provenance from other areas of the Kingdom of Italy. This explains why the collection comprises chiefly religious works, many of them large altarpieces, and accounts for Brera’s special aura on which later acquisitions have had only a minor impact.

Other period photographs of the Pinacoteca di Brera.
Other period photographs of the Pinacoteca di Brera.

Explore the Pinacoteca di Brera collection

masterpieces artworks catalogue very high definition

The Collection Online/ 684 records

The Collection Online/ 684 records